Trippin Out @ Theaterfabrik: No. 1 DJ of Israel / Premiere in München! VINI VICI (Iboga Records) +special guest: DJOANNA (Wonderland, Psy-Fi) deko+visuals Antaris Festival 2017 mainstage team: CALAQUENDI & LA AURA SKY SPIRIT SOCIETY MAPPING LIVE SHOW Vini Vici´s Remix Free Tibet "Great Spirit" für Highlight Tribe hat alle Genregrenzen gesprengt und ist mit über 35 mio. youtubeclicks das erfolgreichte Psytrance Project. * * * * * * * * * * * * * * * * * * * * * * * * * * * * Wir verlosen 5x1 Gästeliste unter allen die 1. Event teilen (öffentl.) 2. Freunde einladen (aus Freundesliste) 3. posting in die Timeline: "Trippin Out" * * * * * * * * * * * * * * * * * * * * * * * * * * * * Trippin Out & Weltenbummler presents: • V I N I . V I C I • Iboga Records ⓕ http://facebook.com/ViniViciMusic ♫ https://soundcloud.com/vinivicimusic http://youtube.com/user/ViniViciMusic • D J O A N N A • Berlin waldfrieden / wonderland festival ♫ http://soundcloud.com/djoanna • F O H A T • bmss records ♫ http://soundcloud.com/fohat • M E L L O W . M O N K S • psychedelic happiness festival ♫ http://soundcloud.com/dannyandpash/sets/mellow-monks • P S Y J • weltenbummler ♫ http://soundcloud.com/djpsyj • W O O Z L E • ⓕ http://facebook.com/woozle.music ♫ http://soundcloud.com/woozle-music * * * * * * * * * * * * * * * * * * * * * * * * * * * * Deko-Art & Visuals ♥ ૐ ✮ ☺ ༺ CALAQUENDI & LA AURA SKY ༻ http://facebook.com/CalaquendiArt ✮ SPIRIT SOCIETY MAPPING LIVE SHOW ✮ http://facebook.com/SpiritSociety * * * * * * * * * * * * * * * * * * * * * * * * * * * * 40 KW Soundsystem hosted by : KLANGFARBEN (München) 4 Punkt Installation ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ ✮ * * * * * * * * * * * * * * * * * * * * * * * * * * * * VINI VICI BIOGRAPHY 2016 Vini Vici is the new project of Aviram Saharai & Matan Kadosh, both well-known and experienced electronic music producers for over a decade. The concept of Vini Vici was formed by the boys with an intention to express their love for the old school sound, paired with their progressive ideas. Iboga Records and FM Bookings, widely considered to be the biggest psytrance label and booking agency, were the first to see the potential of the project and invited them to be part of their well respected family, alongside names such as: Ace Ventura, Liquid Soul, Ticon, Captain Hook, Atmos, and the like. After the huge success of their premier EP 'Divine Mode' and their follow-up ‘Back Underground’, ‘Expender’, ‘Anything & Everything’, and ‘Veni Vidi Vici’ tracks (all top sellers on Beatport and Iboga Records charts), Vini Vici continued to produce massive hits while touring the world nonstop - Brazil, Mexico, South Africa, Switzerland, Finland, France, India, Denmark, Germany, United State, Italy, Portugal, Austria, Australia, Serbia, Netherland, Scotland, United Kingdom, Ireland, Israel….. It's no surprise Beatport positioned them at No.3 on the Top Artist list of 2014. 2015 was a huge step forward for the boys with the release of their debut album ‘Vini Vici - Future Classics’. They hit the Beatport Main Chart at No.2 (Psytrance at No.1) - a position that very few psytrance artists have managed to stand at before, followed by Psyshop No.1 and TrackItDown No.1 spots, while the legendary Infected Mushroom named them “the best upcoming psytrance artists at the moment”. The explosion continued when trance king Armin Van Buuren edited their already classic tune ‘The Tribe’, and featured them on his legendary ‘ASOT’ radio show over and over again. Finishing 2015 with a bang, the boys were ranked by Beatport as No.1 on the PsyTrance Artist chart and they also landed the Best Selling Track of 2015. They continued to make history early in 2016 with their Vini Vici Remix of ‘Hilight Tribe - Free Tibet’ - the track gained over 22,223,000 views on YouTube and 5,000,000 plays on Soundcloud, while also hitting the No.2 spot on Beatport’s Main chart, and becoming the first psytrance track ever to have entered the Beatport Main Top 10. After such an outstanding beginning to 2016, it’s no surprise that the rest of their year continued to bring this elevated level and even after many successful years before became their best year by far. Some even call it the ‘The Vini Vici Year’ - with over 220 shows in some of the most prestigious electronic music events around the globe (A State Of Trance Festival NL, Tomorrowland BE, Boom Festival PT, Electric Daisy Carnival in U.S.A, Ultra BR, Dreamstate U.S.A, Transmission CZ, Experience BR, Vuuv DE, Sunburn GOA, Luminosity NL, Earthcore AU, Unity IL just to name a few…). Keeping their No.1 spot on Beatport’s Psytrance Artist list and Best Selling Track for the second year in a row went on to lead a new generation of psytrance fans and producers to their style. Just before ending off 2016 came the jewel in the crown; a collaboration with no other than one of the solid founders of modern electronic music - Armin Van Buuren, featuring french band Hilight Tribe in their creation ‘Great Spirit’. This massive collaboration took over the Beatport Main Chart immediately and gained over 1,000,000 views on YouTube in just 2 weeks, taking them one step closer to their life goal of spreading psytrance culture and energy in the world. Armin van Buuren: “I’ve wanted to work with Vini Vici ever since they embarked on the music scene. Few acts have such a well-defined signature sound” Wondering what the buzz is all about? It's time to tune in and find out. * * * * * * * * * * * * * * * * * * * * * * * * * * * * DJOANNA BIOGRAPHY: Since 2002 she is already presenting her wicked, always special and situational adequate dj sets all arround the world as like the PSYFI Festival. Besides having played for Germanys biggest Psytrance events she can add to her references the release of the Waldfreakquenz compilation in 2008 and 2011, 2014, 2016. DJoanna is very varied in the styles she plays while she´s very known for her talent to spin awesome dj sets. * * * * * * * * * * * * * * * * * * * * * * * * * * * * * by trippin out ® production http://facebook.com/TrippinOut.official & weltenbummler http://facebook.com/weltenbummler.psy * * * * * * * * * * * * * * * * * * * * * * * * * * * * *